BRITTEN METAMORPHOSES AFTER OVID PDF

In addition to Billy Budd, Britten composed the Six Metamorphoses after Ovid,. Opus 49, for solo oboe in The Six Metamorphoses after Ovid is a series of. A gap of fifteen years separates the somewhat experimental exuberance of Temporal Variations from the assured mastery of the Six Metamorphoses after Ovid. Six Metamorphoses after Ovid. Benjamin Britten was an enthusiastic composer of music for his close friends and colleagues, including solo works for cello, harp.

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PAN who played upon the reed pipe which was Syrinx, his beloved. By metamorphodes of the music being written for a solo instrument, Britten allows the performer licence to be highly expressive.

Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, 1951.

Oivd offers both CDs, and downloads in a number of formats. These six pieces, written in Britten’s later style, demonstrate the musical metamorphoses which always fascinated Britten. Homage to Paderewski Variations on an Elizabethan Theme List of compositions by Benjamin Britten Category: It is dedicated to oboist Joy Boughtondaughter of Benjamin Britten’s friend and fellow composer Rutland Boughtonwho gave the first performance at the Aldeburgh Festival on 14 June Don’t show me this message again.

The four-part fourth metamorphosis reflects the atmosphere of a drunken feast or festival.

Benjamin Britten was metamorpboses enthusiastic composer of music for his close friends and colleagues, including solo works for cello, harp, and oboe. Each of the six sections is xfter on a character from Roman mythology who is briefly described: Britten turned for inspiration to Ovid, the exiled Roman poet who died in 17 A. Six Metamorphoses after Ovid Op. The fifth, marked lento piacevoleis meant to convey the act of staring at a reflection in a pool. Views Read Edit View history.

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Benjamin Britten Six Metamorphoses after Ovid Benjamin Britten was an enthusiastic composer of music for his close friends and colleagues, including solo works for cello, harp, and oboe. The sly languor of Pan, the ill-advised daring of Phaeton, the sad immobility of Niobe, the tipsy revelries of Bacchus and his troop of boys, Narcissus contemplating his own image, the tumbling fountain of Arethusa—all are caught in a perfectly conceived outdoor music that must have yielded pure enchantment at its first metamorphosew over the waters on that June afternoon.

Related Links Britten Page. Home News Contacts Copyright. Pan, for instance, is written without a time signature.

War Requiem film. The third afher slower and mmetamorphoses marked piangendoor “crying”. Night Mail The Prince of the Pagodas Like pieces of statuary in some classically conceived garden, these perfect miniatures catch the spirit of ancient Greece with playfulness, humour, compassion and tenderness. Britten has titled his Six Metamorphoses After Ovid using names of the some of the legendary figures who appear in the great Roman poet’s work.

Piano Concertorev. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Six Metamorphoses after Ovid, Op 49 composer. Ovid’s greatest work, Metamorphoses, is a fifteen-volume treatise of the disillusionment of his generation described in terms of the instability of nature.

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In the same year Britten composed six little pieces for solo oboe, to be performed by Joy Boughton daughter of the composer Rutland Boughton during the Aldeburgh Festival.

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Juni in Thorpeness gespielt wurden. InBritten was primarily concerned with writing his opera Billy Budd. The piece was inspired by Ovid’s Metamorphoses. The site is also available in several languages.

Retrieved from ” https: Retrieved 2 August This page was last edited on 26 Septemberat The music of the first metamorphosis echoes the “free-spirited” character of its titular figure: From Wikipedia, the free encyclopedia.

NIOBE who, lamenting the death of her fourteen children, was turned into fater. October Total duration: This contrasts with the second metamorphosis, a quick and rhythmic representation of the chariot ride of Phaeton, marked vivace ritmico.

The work concludes with a “pleasant and meandering” representation of beauty and flow.

Six Metamorphoses after Ovid – Britten-Pears Foundation

The characteristics of each God can therefore be fully represented through the performance. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.