Story time just got better with Prime Book Box, a subscription that delivers hand- picked children’s books every 1, 2, or 3 months — at 40% off List Price. Intrada, H () [trumpet in C]. 20th century (). Swiss composer born in France. Category: Trumpet Solos w/Piano; Item: ; Grade/Level: Grade 6.
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The first number stands for Trumpetthe second for Hornthe third for Trombonethe fourth separated from the first three by a dot for Euphonium and the fifth for Tuba.
Percussion is abbreviated following the brass.
Honegger writes half-notes, quarter-tied-to-eighths and quarter-notes, I believe for a reason. Honegger goes from measure 4 through 17 without any rests or breath marks! Pay attention to note length values throughout this section. Remember, all these phrasing ideas are just suggestions.
Notice in the opening three measures how every other note is preceded by a half step. Arthur Honegger was a Swiss composerwho lived a large part of his life in Paris.
Honegger – Intrada January 7, Just heard of this piece yesterday from playwithapro. The first set of numbers before the intrda represent the Woodwinds. I strongly encourage you to get acquainted with a few and develop your own opinion to the interpretation.
Sometimes there are instruments in the ensemble other than those shown above. It consists of the forces Instruments shown in parenthesis are optional and may be omitted. Grade 6 – Advanced Price: The bracketed numbers tell you how many of each instrument are in the ensemble.
My logic here is to try to maintain the architecture that is established in measure 4 where the phrase obviously begins on beat 2. Set the Allegro section tempo at whatever rate you can triple-tongue the passage beginning at Titles with no bracketed numbers are assumed to use “Standard Instrumentation. In the following clip I play the first three measures in three different ways. The second example is common for a concert band or wind ensemble piece.
Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation.
In the third example, we have a rather extreme use of the system. One could use these somewhat as leading tones to create more direction in the line. Other Required and Solo parts follow the strings:. Other Required and Solo parts follow the strings: He joined the French Resistanceand was generally unaffected by the Nazis themselves, who allowed him to continue his work without too much interference, but it is said that he was greatly depressed by the war.
The entrance pickup before rehearsal 2 is a tough one; coming in on a soft, low G after moments earlier wailing on a high C and B.
I justify breathing after beats 2 in and to maintain the same shape the phrase begins with in Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:.
Rehearsal 4 through 5.
Honegger Intrada, H.193 (1947)
Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:. Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ]. Take what you like, leave the rest. Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba.
Measures One of the big issues in this piece is figuring out where to breathe.
Honegger Intrada, H () for Trumpet Solos w/Piano [trumpet in C]
Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: Anyhow, a lot of players like to make the material between rehearsals 2 and 3 four and sometimes five phrases by breathing after the long notes in the middle of the two big phrases.
Copland Fanfare for the Common Man [ Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. For orchestral music, saxes are at the end see Saxophones below.
The set of numbers after the dash represent the Brass. While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE. The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn.
Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.
In my first pass I breathe after beats 1 in measures 10 and One of the big issues in this piece is figuring out where to breathe. When I get to the sixteenth-note passage in measure 8, I breathe in beat two to keep the running sixteenths together.